Image Description: The album cover of the mixtape featuring a cyanotyped collage of Sid Anthony's photos of various bodies of water.
LY001: Water
May 2022

Dedicated to Chad, Jurain, Elegyn, Robert & Tirso

Water flows, flushes, and cycles, constituting the majority of our bodies and planet and making possible all life on Earth. Inspired by the struggle to defend the Pulangi River, Liyang SoCal’s first mixtape called for contributors to respond to water in any and all of its forms and contexts.

The Pulangi is an extensive river system that supports the livelihood of many rural and indigenous communities as well as cities in Mindanao. The southernmost island of the Philippine archipelago, Mindanao is known for its lush forests and abundance of natural resources which make it the target of large-scale extractive industries around the world. Centuries of resistance left much of Mindanao outside of the reach of colonists that occupied other parts of the Philippine archipelago. Today, the decades-long struggle of communities of Lumad (Indigenous) people and peasants to defend Mindanao’s lands and waters from major damming projects and the plunder and pollution of large-scale agribusiness and mining ventures continues.

Our support of this struggle is ever-increasingly urgent as the calamitous effects of climate change compound with intense environmental degradation leading to more and more devastating disasters. While the Philippine Government refuses to provide aid to those affected and instead colludes with industries. They fund the militarization of rural and Indigenous communities and target the environmental and human rights defenders whose work is dedicated to exposing the root causes of environmental destruction in the Philippines.

We’ve dedicated this mixtape to some of these environmental and human rights defenders whose lives were taken in this struggle. On the evening of February 23rd, 2022, Chad Booc, Jurain Ngujo, Elegyn Balonga and their two drivers Robert Aragon and Tirso Añar were massacred by the Armed Forces of the Philippines (AFP) in New Bataan, Davao de Oro, while returning from a visit to rural communities in southern Mindanao.

The victims were unarmed civilians who had been active in supporting the Lumad struggle for self-determination. They were deliberately targeted by the AFP because of the far-reaching impact of their service.

Elegyn was a community health worker who served displaced Lumad communities in UCCP Haran sanctuary, and participated in medical missions serving marginalized rural communities in Mindanao. Her work exposed the unwillingness of the government to meet the needs of its people.

Chad and Jurain, meanwhile, were volunteer teachers at Lumad schools, both in communities and in evacuation. As Lumad school teachers, Chad and Jurain helped provide scientific and culturally-responsive education, incorporating sustainable agriculture skills and holistic health practices so that their students could go on to help develop and lead their communities.

Lumad schools were also a key component in communities’ struggles to defend their ancestral lands, in the face of mining, logging and agribusiness interests who had their eye on the resource-rich areas. Jurain and Chad helped empower generations of Lumad youth to assert their rights and take an active part in defending and shaping their communities’ futures.

Despite not being Lumad themselves, Chad, Jurain and Elegyn all dedicated themselves wholeheartedly to supporting the Lumad cause and struggle.

Included in a special mix at the end of this tape are excerpts from a song sung by Jurain and Lumad students and a conversation between Liyang and Chad recorded during a webinar in July of 2021. Jurain was a student at a Lumad school before choosing to serve the community by becoming a volunteer teacher himself. The song he and the students sing describes the 2016 Lakbayan ng Pambansang Minorya (People’s Caravan of National Minorities) in which Indigenous peoples from all throughout the Philippines came together in the thousands to call attention to their common struggle to defend their ancestral lands and claim their right to self-determination. Chad taught math at ALCADEV in Lianga, Mindanao after studying Computer Science in college, and was one of the Bakwit 7, who were Lumad students, elders, and volunteer teachers, arrested, held, and later released due to lack of evidence, for three months on fabricated charges in early 2021 because of their advocacy supporting Lumad youth.

Liyang SoCal joins the call for justice for the New Bataan 5 and dedicates this mixtape to their lives, work, and sacrifice. These heroes understood the supreme importance of the ongoing struggle to defend the land, water, and life in Mindanao as connected to environmental defense and liberation throughout the Philippines and around the world. As we listen, let us consider all the ways we can amplify calls for their justice and an end to exploitation, foreign plunder, and tyranny in Mindanao and around the world.


All proceeds go to Liyang Network's Climate Justice Campaign and the Memorial Fund of the New Bataan 5


Liyang Network is a local to global advocacy network that amplifies the calls to action of frontline environmental and human rights defenders in Mindanao, Philippines. Originally founded in 2019 in UCCP Haran evacuation center Mindanao, it was born out of a direct request from our primary community partner, Sabokahan Unity of Lumad Women to form a network to bring together all of their international supporters in order to uplift and advocate for the calls of the Lumad people. Since then, we have established an overseas chapter in the US, which mobilizes people nationally in support of the calls of communities in Mindanao. Liyang U.S.A. currently has 3 regional organizing committees which focus on making connections with local issues in Northern California, Southern California, and Western Massachusetts; we also have members across the country and internationally. Since our founding, Liyang has expanded our advocacy work to include peasants and agri-workers in Mindanao, in addition to our work supporting Lumad communities.

"Bopung" by Jerusha Rai attempts to capture the feeling of wandering through the woods and waterfalls of Eastern Nepal.

Lyrics:
Akashabaani Suna Hai
Man ko glaani bujha hai
Aaune jaaney huri hai
Chakrabiu maa fasey hai

Translation:
Listen to the prophecy from the skies
Understand the regrets in your heart
Like the storm that comes and goes
I am caught in the spiral

Instagram

I'm a very visual producer, so there is always some vivid imagery when I am composing any piece of music. By making this track I wanted to make the image in my mind tangible. And since I dream about water quite often it's an attempt to recreate that feeling being in water creates. How after a long day of swimming your legs feel heavy and don't quite register that you're not in water anymore.

Also this scene in particular from the movie The Red Turtle really gives me the warm feeling of the track.

Image Description: A frame from the animated film The Red Turtle depicting a body of water surrounded by lush green forest.

Bandcamp / SoundCloud / Instagram

"Dark Waters" was written as an ode to how it feels to sink into depression, like water. It remembers late nights looking out at the rain and the dark waters of a forest canyon I used to live near. The water in it was murky and shallow, but dark and mysterious. I wrote a song about sinking down into that dark water, and what it feels like to struggle to reach the surface.

Stepping out into the rain
Can't let the water droplets get into my brain
Condensation's on my back
And conversation's oozing into black

And don't make me relive
the moments of my past I don't wanna find
Cuz I've got too much waiting for me down there
On the end of the line

So keep me
Under water
I don't
Want to bother
Someone's out there on the swings
As pouring rain sings

Breathing underwater now
I try to swim up but I don't know how
Everybody's falling down
Dark water choking them til they can't make a sound

Release, relive, replay restore my fantasies
You can't hear me blowing bubbles with my melodies

So keep me
Under water
I don't
Want to bother
Someone's out there on the swings
As pouring rain sings

Bandcamp / Spotify / Instagram / Twitter

I sat in my room for the few days that it rained non stop in LA and when there were opportunities I ran outside and recorded what my neighborhood and city sounded like after the rain and then found my way into those sounds with the help of a few instruments.

Instagram

This songs is symbolizes swimming up stream, against a challenging current, to ultimately find clarity in the refreshing deluge of a waterfall

Instagram

[No liner notes requested.]

Instagram

A gift

                      that sustains

                                           and extends 


All connected to the source

                                which flows and moves 

          passing through every vessel 

Giving
                                again and again




~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This track includes recordings from the 49 Palms Oasis in the Mojave Desert, synthesizers, and sounds of the guqin, an ancient Chinese meditative instrument.

Image Description: A photo of dark, bushy palm fronds in the corner of a blue-grey sky.

Website / Instagram

without giving away too much
starts preserved - delicate, romantic, almost glamorized, cold cave of the ice queen
moving like a glacier through arduous repetition slow and small from afar - melting cracks in the morning sun
lost but wandering, starting to get some practice and confidence singing
momentum! but into what? something productive surely?
rushing past with great mass upon approach.
delirium beautiful exotic flowers flowers blooming out of all the cracks
cracks so deep, breaking point into the shrieking release of old gasses
return to waiting on shroom tea with sounds of reality coming in the background

part of a concept album
following the parallel journeys away from and towards sustainability on different levels - my interpersonal life and the world ecosystem - coming to terms with and moving into relationships that are radically different from the common imagination of future i was raised on

featuring seasonal sounds i’d recorded in my home state of new jersey during the lockdown to send to someone i really loved at the time in los angeles - the ricochet thawing of the Great Swamp in the morning sun, the bouncing of rocks against the hard shell of lake, drip drop of melty snow from up high, shattering baby steps across a thinly frozen puddle, the shrieking release from a bottle of defrosting shroom tea.


man i want to spatialize the ricochet - ambisonic?

Image Description: A video of melting snow dripping from a storage crate by Andy's elementary school in New Jersey. Image Description: A video of Andy throwing a stone that bounces across a thickly-frozen lake by their brother's ex-girlfriend's family home. Image Description: A video of Andy stepping on a transparently-frozen puddle, cracking the ice and displacing the water and dead leaves underneath.

Website / Instagram

EARTHBODY(S)
is a prayer and our reflections from leaving the concrete jungle and restoring in sacred lands, regenerative farms, community gardens, and QTBIPOC (Queer Trans Black Indigenous People of Color) sanctuary projects on Indigenous land. EARTHBODY(S) is an immersive journey about how we are stripped from our ancestral lands and pushed into cities suffering from COVID-19, food apartheid, the police state, and environmental racism.

Instagram

I am interested in water as a carrier of memory and emotion and a symbol of the subconscious, the dream world, and the unseen yet felt. "i saw you in the valley at dusk" is based on a series of dreams that have ancestral significance to me. This song comes from a deep well within my heart and a yearning for a place and people I do not know.

Credits:
Audio finalized by Glyn Maier

Instagram / SoundCloud

A mundane ritual that incites pauses throughout the day.

Newsletter

"Apo Tudo" features a field recording of rain outside of my apartment in Los Angeles, CA sometime in January 2022. I set up a mic outside of my door towards the rain and a mic on my sarunay inside of my apartment. I monitored the rain in my headphones and played along to it with the sarunay and hit record on my 4-track cassette recorder. I later overdubbed an additional sarunay melody on top. After recording, I went outside and brought back my soaked microphone to dry indoors.

Image Description: A photograph Marc took around the time he recorded Apo Tudo

Website / Bandcamp / Instagram

"No Turning Back" is inspired by the push and pull of water's motions, ascribed to a dangerous relationship that ebbs and flows. The hydrophilia and hydrophobia is represented in the two characters that have entered this dance of infatuation and carelessness. And in this dance, there's no turning back...

Lyrics:
I know you said that you would love me still
I know you waited at my window sill
Wanted to see you everyday
But I dont
But I dont wanna say no

But I dont wanna say no my love
But I dont wanna say no
I wanna leave you every day
but I dont
Cuz I dont wanna say no

Badobadobada....

I can see that you're confused about the way you feel about me
Baby oh dont cry
Oh baby yeah you're mine

Baby wont you kiss me quickly when we touch
Oh yeah your tune is near
Yeah you're mine
And there's no turning back...

Miche: Dublab / Instagram
theyfriend: Bandcamp / Spotify / Instagram / Twitter

This is a peek into a day in the life of an amoeba living in a busy and turbulent river: the joys and the misfortunes, the ruckus and the harmony, the confusion and the peace

Written, performed, and recorded by RJ Wilks
Mixed by Olivia Popejoy
Album art by Darcy Nicholson
Additional album art digital editing by Richard Wilks

Image Description: The album art for Amoeba is a watercolor of a bubbly blue shape on an algae green background.

Bandcamp / Instagram

The river sounds in “Lee” come from the water flowing through Lee Martinez Park in Fort Collins, Colorado. Named “Minni Luzahan” (“Swift Current”) by the Sioux, and known as “Cache le Poudre River” (hiding place of the gunpowder), the river is a common place of return. As a descendant of Lee's, I wrote this responding to this space of water and the sense of passing through time, name, person, etc. A tributary flowing on

"Lovelorn (Slowed Tape)" features Jake Falby on violin. Rick Spataro mastered the song onto reel-to-reel and then slowed the tape down to achieve this version.

Image Description: A video without sound of Lovelorn being dumped onto a reel-to-reel tape recorder where it was later slowed down.

Website / Bandcamp / Instagram

I started this piece as a means of exploring water and it's myriad sonic textures. This is a collage piece using only sounds sourced from recordings of water in various states/environments (personal field recordings, stock recordings, etc), some of which have been more or less preserved and others which have been manipulated in such a way to reveal textures not ordinarily available to the human ear. Additionally many of these recordings have been made into loops. The way these disparate water textures interact with each other, and the sonic synthesis that emerges from their juxtaposition, speaks I think to water's material diversity, its cyclical nature, and its innate emotional complexity.


~~~

Image Description: A watercolor painted by Sid Anthony depicting the Pulangi River.


Thank you to all the minds, hands and hearts who made this possible:
Sid
Skyler
Ali
Ash
the artists
the listeners
and those on the frontlines.


Stay connected with Liyang Network:






Organized and released in May 2022 by Liyang SoCal as part of the Climate Justice Campaign